Daniele Luchetti’s “My Brother Is an Only Child” (Mio Fratello e Figlio Unico) is one of the better examples of the genre, focusing on a pair of brothers who struggle to make sense of the social turbulence of the 1960s and ’70s.
For all the concentration on politics, the film isn’t really political at all, but rather a fine and engaging study of two personalities, seemingly in sharp contrast, that prove awfully alike in the end. All the characters are immensely charismatic, and Luchetti shows a firm hand though a light touch in keeping the story focused on people’s inner lives rather than the eye-catching turmoil that surrounds them. Theatrical prospects look promising throughout the world in specialty adult venues.
The two brothers, first seen at an early age in the small town of Latina in 1962, are enough to drive a mother crazy as they grow older. Manrico (Riccardo Scamarcio) is handsome and intelligent, a smart catch for any of the young women who eye him. But his younger brother, Accio (Elio Germano), is a born rebel, causing trouble at the seminary to which his parents have so misguidedly sent him. He questions everything with vigor as a self-righteous anger smolders within him…
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